Thursday, October 29, 2009

It has snowed four times this fall already and I'm starting to think that, this year, trees are idiots. Usually at the first snow, trees will dump their leaves because they know if they don't, their boughs will bow down uncomfortable with the weight of snow and soaking leaves, pulling the trunk into an awkward slouchy hunch, and eventually breaking, leaving the tree ever closer to death. Right? If all of that was bound to happen to you if you didn't let go of your leaves... wouldn't you just let go of the damn leaves?

Not this year. Every time it snows, the trees are like, "Well it's only September/October, so my eyes (feeling sensors) must be deceiving me. I must be hallucinating. Therefore I shall keep all my leaves! And maybe turn them red, but definitely not let them fall!"

The most recent snow, the one that hasn't really stopped yet as of right now, has dumped at least a foot of snow. The trees all look like gnarled old men, hanging onto their leaves stubbornly with old withered fingers. They dangle their branches mere feet from the sidewalk, sodden and pendulous. Anyone over 4 feet tall has to walk in the street or else become ensnared in vindictive tangles.

As the trees get dumber, squirrels get smarter. Any squirrel who's still alive must be. I was walking home from the grocery store with branches grabbing my hair and wrapping themselves around my backpack, and I saw a little rise in the snow with a big tunnel in it. I stopped to look down into the tunnel, and saw that at the bottom was (or had once been) a topless pumpkin. A squirrel was curled up in the bottom of the pumpkin, fat and sleeping. He had clearly been eating his nice warm home.

Friday, October 23, 2009

There are situations in which I think I must have mild Aspergers or some similar social-misunderstanding disorder. Usually immediately after I think this, I chide myself for diagnosing myself with an easy excuse instead of simply accepting that I am socially awkward and have the capability to change it.

Do I have the capability to change it? As time goes on, I get less certain. The way people respond to me is entirely at odds with how I think they should, and how they perceive me, when asked, is entirely at odds with how I perceive myself. Up until now I sort of thought that I just had an expressionless face that tended towards looking annoyed and so people just figured I wasn't interested (in them, in anything). But lately I've been making a concerted effort. To smile longer than I think is appropriate, to look people in the eye even though it's supremely uncomfortable for me, to act excited and bubbly when the situation seems to call for it.

None of it makes a difference. I suspect that smiling becomes grimacing, eye contact becomes staring, excited becomes manically excitable, and bubbly becomes bubbling over. All without my knowledge, because I can't see myself through a normal person's eyes. I can honestly say I have no fucking clue what draws people to one another (conversely, what repels them from one another). Or even what looks merely normal and acceptable.

I had a meeting with a professor the other day and she noted that I seem 'blunt and straightforward - a scientific approach - but very impatient'. Another professor noted today that I am 'clearly introverted'. When I first started working for the graduate student I am still working for, she asked me if I was nervous about sixty times.

These attributes: quirky, yes, maybe even nerdy, but abnormal enough for most people to react as though they think I hate them?

Tuesday, October 20, 2009

I'm sitting in a hallway with my laptop deciding my future, and knowing what I know about mood-dependent decision making, it's terrifying. You choose a graduate program when you're tired and you end up with something way easier than is necessary, that requires something like a 1.5 GPA and a recommendation letter from your mom, whose coursework consists of memorizing PowerPoint bullets and learning how to write five paragraph essays. You choose a graduate program when you've just read a scholarly paper by your very favorite genius and you'll probably overestimate how much mindbreaking research you're willing to withstand in order to get to his/her level. Then you end up with a program you, A) can't get into, if you're lucky, or B) requires the kind of critical thinking where you have to have completely unique, perfect, and experiment-ready ideas coming out of your mouth/falling onto paper constantly, or else you fail as a human being.

It's somewhat ironic that I'm considering all of this given that the chosen graduate program has to include, at least in part, the further study of mood-dependent decision making. Maybe my thesis could be on how graduate students are only in the program I'm in because they had were in X mood at the time of their application process. That'd be totally meta of me and I hope someone would metaphorically kick me in the face.

Sunday, October 18, 2009

Five years ago I would have said (and did say) that I would like to drop out of the unrelenting escalator march of scholarly/professional progress (be born, get educated, get more educated, get a job that may or may not have something to do with what you got educated in, have kids, get rich, get richer, still be unsatisfied, get old, get bored) and just get on a plane, go abroad, travel around, and forget about striving.

I don't know if I ever posted this here. I think I did on my old diary. But just in case, here is something I wrote in my private journal sophomore year of college, September 2003:

Don’t ever let me forget that we had this conversation.

‘I just... the hardest part about leaving would be doing it alone,’ he says.

There is silence in the back of the bus because I’m deciding whether to say it and mean it, mean it through and through.

‘Nick, if you were to actually do it,’ I say, slowly, deliberately, ‘I would go with you.’

His face is suddenly lit. ‘Would you?’

‘I...’

‘Would you really?’

My eyes are tearing up.

‘Let’s do it, then,’ he whispers.

We spend the whole rest of the day in a planning daze, a fear-purging daze... overall, it’s a harsh daze. The first few minutes are the hardest. We want to say everything at once. Our parents, and what they would think. (His dad would be angry. My dad would be disappointed, but not angry. My mother would be furious just because she never had the guts to do it herself.) We can’t leave our roommates in the lurch. We can’t waste the money already spent on tuition for the semester. We can’t...

So it’s decided; the beginning of next year. The Bound stops at Valmont. ‘Next year we’re going to have forgotten we had this conversation,’ I say to him as we stand up.

‘Yeah,’ he says, and then shakes his head. ‘No, we can’t forget.’

‘We can’t forget,’ I say, putting my hand on his shoulder.

‘We won’t,’ he says.

‘See, it’s going to be so much easier for you,’ I say.

‘Why?’

‘Because you’ve got the first step done already.’

‘What’s that?’

‘Getting rid of all your stuff.’

‘Oh.’

Silence.

‘But then the next step, what’s that?’ he asks.

‘The next step is being able to let everyone you love go.’

‘The South American jungle,’ he exclaims, walking past a field of weeds in North Boulder.

‘Not the jungle,’ I say.

‘Why not?’

‘Because it’s the jungle. We can’t survive in the jungle. We’ll die.’

‘So?’

‘When you put it that way...’

‘I’d rather die in the jungle than die in this fucking place.’

I look sideways at him. He never swears. ‘Plus,’ I say, sweeping past this, ‘I don’t want to live somewhere where there aren’t any other people.’

‘Me,’ he says.

‘Other than you.’

‘No offense,’ I rush on, seeing his face, ‘but I cannot spend that much time with anyone for that
long a period of time without killing them.’

He laughs.

‘I can’t,’ I say, shrugging.

‘I can,’ he says.

‘A boat,’ he exclaims, turning the corner from Valmont to Edgewater. ‘We’ll live on a boat in the ocean. No property taxes on the surface of the water!’

‘Oh no no no no. I can’t stand water. No water. No.’

‘What?’

‘You know that. I can’t swim. I get seasick. I hate water. No.’

‘You don’t have to swim. Plus, we’ll get all our food needs met.’

‘No we fucking won’t, we’ll...’

‘Oh yeah, I guess we can’t eat any fruit. I guess we’d probably get scurvy.’

‘I don’t want to get scurvy.’

‘You don’t want to get scurvy?’ He laughs, looks askance at me.

‘No, I don’t want to get scurvy.’

‘Thailand,’ he says, walking past a Thai restaurant.

‘Something my dad once told me,’ I say.

‘What?’

‘We were in London, on the subway, passing all these bums begging and no one was giving them anything... they were really in a bad way. He said, ‘You can knock Communism all you want, but they feed their people, and they medicate their people. In Beijing I saw no one begging on the streets, no one.’’

‘No beggars?’

‘Apparently not.’

‘China, then,’ he says.

‘The hardest thing would be leaving Patrick,’ he says.

‘Financially or personally?’ I ask.

‘I... financially,’ he says.

‘The thing is, I’m so scared,’ he mumbles, too quietly almost.

‘What? What of?’

‘I’m scared I won’t make it. I’m scared I won’t know how to survive.’

‘If you couldn’t survive you’d come back.’

‘...........’

‘Wouldn’t you?’

‘I don’t know,’ he says.

‘Well, you don’t have to worry about that yet.’

‘I don’t know if I’d come back,’ he says again.

We’re sitting in the fast food Japanese restaurant when the ridiculousness hits me. ‘Nick, in a year you won’t even be the same person,’ I say. ‘You know what I mean? Do you know how often you change your mind? Every two days, it’s...’

‘I know,’ he says, unexpectedly.

‘You do?’

‘Yeah. I mean, yeah. I guess.... I guess I have to find myself in a situation which is open to change.’

‘Maybe..’

‘School isn’t that situation.’

‘No.’

He spoons chopstickfuls and chopstickfuls of rice and eel into his mouth before he continues. ‘If fear of leaving school does get the best of me, at least... I’ll always know there’s something small in the back of my head telling me that school just isn’t right.’

That’s not enough, I say in my head as we leave the restaurant. Because I was telling him earlier that every plan made by Camille and I in high school, every road trip, every hitchhiking jaunt to Canada, every backpacking trip around Europe, has fallen through every summer because Camille’s parents ‘won’t let her’.

‘Fuck that,’ he says, ‘just don’t tell them! Just leave! Write from an internet cafe and just say... ‘Mom, I’m in Europe.’

‘I know. I know. All I’m saying is... every summer the plans fell through because of her and her parents. Every summer I was totally ready.’

‘I...’

‘What I’m saying is this: if this falls through, it will not be because of me.’

‘It won’t?’

‘No.’

‘So what you’re saying is it’ll be because of me.’

‘Yes.’

He crunches a few leaves in his path. ‘Sweet,’ he says, after a length.

This was three years pre-Indonesia. Nick and I hadn't yet started dating. I loved him, though. It was already getting impossible to hide it. And this conversation stuck, gluelike and word for word, to my brain, long enough for me to practically transcribe it, because merely the thought of leaving the country with him and surviving on coconuts was enough to make my mind and body light up. Logic and reason were completely suppressed, my disdain for something even as wimpy as car-camping was totally wiped out, and for awhile all I dreamed about was dropping out of society with him.

And in a way, we ended up eventually doing so. We weren't as crafty and revolutionary as we'd hoped; we both got degrees first. We got jobs at retail establishments. And when we did leave the country, we made sure we had jobs lined up and housing set. By then, the novelty of his thrill-seeking personality had worn thin on me and I had returned to being the drab realist that I am naturally.

But even stepping out of the mold of career-striving was a huge step sideways, and not easy for me to do. I am happy I did it. I think. If only because now, when I get an errant thought about how I'd like to drop out of society and move abroad, I actually have a living breathing picture in my head about what that's like. I don't have an idyllic (and totally false) image of waking up every morning to swaying palms and a clear head with no worries in the world, and Nick bringing me a coconut he just climbed a palm to pick, to eat for breakfast before we began our carefree day of frolicking in the ocean.

Here is a longer diary entry from December 2007, from Indonesia.

We start out sitting half-buried in bright green beach vines. Or at least that's where it feels like we start out. Start out, finish, everything else. World without end, bright green beach vines and a measured, heavy silence.

If time had started here we would have wandered off in two separate directions and gone on to lead two entirely separate lives, and we wouldn't have thought twice about it. We, or I, at least, wouldn't have wondered what his hands would look like once I'd turned my back on them, whether they'd be clutching each other in his lap or lazily tracing sand-roads around the cities of wild dogprints. I wouldn't have wondered whether he was staring after me or already in the water, trying to surf on an old piece of driftwood. We would have just gone as if neither of us were more to the other than strangers passing on the street, heads down and feet flying, in a big city like New York or Chicago.

Time didn't start here, though. Time, this time, started somewhere further away and entirely different. And because it did, I do wonder these things, or I would if I tried to run away, so instead of moving, I stay buried.

The vines are soft and slippery in my fingers, the sun is hot, and I want to be buried in sand. "Do you want to bury each other?" I ask him.

"What do you mean, bury each other?"

"I mean bury each other. In the sand. Under that palm?"

"Well, definitely not under that palm, a coconut might fall."

"That palm's not bearing coconut. You see any coconuts up there?"

"No, but that doesn't mean there aren't any."

"Okay. Fine. Let's bury each other under some other tree. Something that's not a palm. How about over there?"

"No. Forget it."

"If you didn't want to, why didn't you just say so?"

"I think I just did."

Sometimes when he says things like this I wish his eyes were tired, that he had spent the morning throwing up, or corralling seventeen screaming children, or climbing mountains; anything to make it seem like it's not personal, that he's just exhausted, can't move to do anything strenuous. That otherwise, he would be thrilled to bury me in sand. Teach me to bodysurf. Paint designs on our bodies, orange, with spit-damp ochre.

But his eyes aren't tired; they're bright and lively and looking somewhere else. Without saying a word, he stands up and walks away.

"Where are you going?" I ask the air around me, and the humidity swallows my words down with a gurgle, spits them back at me as a thin sheen of sweat. Drops of it form on my fingertips and I look at them, my words, and then look up and see that he's already dragging a piece of driftwood into the waves.

The real pain of it is in the fact that this is the kind of landscape that makes you want to be with the love of your life, and if you happen not to be, to want to turn whoever you're with into the love of your life, even if it would never work out, or, as the case may be, if it has already worked out and then fallen badly apart. The beach is ridged and pockmarked with birds' claws and dogs' paws, with the occasional spreading surface of clam or conch shells, and the scuttle and bubble of hermit crabs surfacing and submerging with the waves. The sand is black and silver and white and completely smooth, blending into a bay on one side and a mountain on the other. Over the mountain, which is flat-topped and appears covered in thick green cotton, a thundercloud has been looming for hours, motionless and far enough away as to be effectively harmless, but still gorgeous. The sun is directly overhead and filtering through the palms, which every few minutes drop a coconut – plop! crack! – into the sand or onto a log or – splash! – into the creek. The plops and cracks and splashes, the crash of the waves, the crowing of the roosters, the shouts of the villagers calling their dogs off of someone's pigs, and the ever-present wind hissing and whistling over the ocean – this is the island's wind ensemble, its quintet.

It is best heard, I think, doing something quirky. Burying someone up to the neck in black smooth sand, then sculpting an entirely new body for them out of the surrounding sand, perhaps with shell necklaces, squiggly arms, rolls of grainy hip fat, or large froglike toes. Spending hours sitting motionless in a dry sea of hermit crabs, waiting for one to venture far enough from its hole to be captured in an impossibly swift arm scoop. Realizing that no matter how far a hermit crab travels from its hole, it can still return faster than a human arm can move. Floating in the shallow ebb of the shore and relinquishing all control, letting the ocean do with you what it pleases, whether what it pleases is a rough slam into the sand bar or a languid, dizzy turn miles down the beach to the reef.

There is time for this. The background is perfect for it, and while some people may fantasize about drinking pina coladas while laying in hammocks reading the most terrible romance novel they can get their hands on, what I'm wishing for is to be able to act like the most curious of children with my lover.

But he's in the ocean with his driftwood, tumbling over and over into the riptide, and he, I'm sure, is wishing he were entirely alone. Maybe even the only person for hundreds and hundreds of miles. That's how he is. It's not how he used to be, but it's how he is now.

I no longer think going somewhere as far away as I can fly will fundamentally change who I am. Or how my relationships go. Or make anything less complicated.

That helps.

Friday, October 16, 2009

The older I get the more anhedonic I get, and I'm not just using that word because it's a GRE word; in fact, when that word popped up on my GRE Vocab Builder, I was like, sweet, I already know that one. I am that one.

Well, not completely. I shouldn't be so damn dramatic all the time and start journal entries off with sweeping proclamations that I know in the back of my brain to be at least a tiny bit untrue. I am not incapable of feeling pleasure. But I am more incapable of it than I used to be, for sure.

However, this is possibly because I spend 80% of my time doing things like the GRE Vocab Builder, or brush-up algebraic equations, or papers on actuarial decision making, or internet homework about cellular respiration. I guess we'll see how true the sweeping proclamation really is once we have a point of comparison. That point of comparison will have to be something like, let's see how I feel once I spend most of my time traveling to foreign countries, trying every expensive exotic food that exists, frolicking in ocean waves, playing with kittens, and counting my oodles and oodles of hundred dollar bills that fall in my lap from nowhere.

When I dream about people I've never met, which is actually quite often, my brain never bothers to fill in their faces. It doesn't do this by having the person walk around with a blur for a face, as that might impact the quality of the dream by being really creepy (and if it was really creepy every time I dreamt about someone I've never met, I'd never meet anybody new). No, it does this by having my eyes aimed downwards, or otherwise away from them, at all times during the dream.

Last night I had one where I was in the process of falling in love with someone I'd just met, and had never met before. We stared out my living room window at the hot dog stand that filled the view, but ate leftover potato latkes. I had salted his too heavily, and he made a face when he took a bite, so I salted my side even heavier, took an even bigger bite, made an even weirder face, and started laughing. We both started laughing. And my hand, which was pretending to hand him back the fork, was really searching for an excuse to brush hands, or linger wrist to wrist.

And this whole time my line of sight only saw a hot dog stand, a plate of potato latkes, his legs in his jeans perched on a stool, and his right hand. I never saw anything above chest height.

This is odd because in waking life I often focus on people's faces to the complete exclusion of everything else. It's as though faces are so important to me that my brain doesn't feel right inventing them in case it's proven wrong later and has to painfully recalibrate every time the flesh-and-blood person walks into a real, physical room.