One of the many signs that I have been watching too much Top Model (any Top Model can probably be argued to be too much Top Model, but we'll leave that aside) is that last night I had a dream about Tyra Banks going on a murderous rampage on a city bus, which culminated in the stabbing of my boyfriend. She stood up on the bus driver's driving platform as the faceless driver cowered. I escaped out the emergency exit, a swing-out window, as she shrieked and brandished a long knife. Dan wasn't so lucky. As only one leg was out of the bus, she teetered towards the back in her ridiculous high heels and stabbed him in the throat.

The scene cut, because dream scenes can just cut, to us in someone's backyard. He was in a yard chair, bleeding from the mouth, though with no outward signs of the stabbing except that. I was reaching my hand through molasses to find my cell phone to dial 911. Although it was in my pocket, my pocket seemed light-years away, and my hand was moving not even close to light speed. And if that weren't enough, the phone, once opened, displayed only vague squigglies that darted around the keypad like tadpoles.

This is why, once I dialed what I thought was 911 and was greeted by a sarcastic guy giving me quiz questions a la bar trivia nights, I thought I might have misdialed, and hung up. But the second time dialing (a repeat, if slower, of the molasses and the space travel and the tadpoles) I got the same guy, and had to dodge his questions before getting down to the case at hand, being, of course, the stabbing, and the blood that was coursing from Dan's mouth onto the preternaturally green grass.

It took the ambulance 20 minutes to show up. I wrote this number down on a pad of paper for future reference: note to self - make sure to always allow 20 minutes before beginning death throes. Oddly enough, I don't remember if he was dead or alive by the time they got there. In the dream, it wasn't material.

Dreams tend to do that. They take things that in life would be of the utmost importance, like whether or not you are wearing clothes, or whether or not there is solid ground beneath you, or whose house you are in, or what country you are in, or whether you even know the person who's currently having sex with you, or whether or not your boyfriend has died from his stab wound, and make them secondary. At the same time, they force you to worry and obsess over the sound of the word 'orange', or whether your teeth might at any time just fall out, or the fact that your fingers are sticking together, or the dinosaur that keeps appearing and disappearing in the long distance.

I'm staying in my childhood house, and in my childhood house, you can often find me sitting exhausted and enthralled on the attic floor surrounded by invitations to 10 year olds' birthday parties from 1994, and yellowed drawings of gymnasts, and refrigerator magnets with pictures of Kermit the Frog on them, and the old notes my mom used to put in my lunch box with the hard boiled egg and the salt packet, and other such things.

The one thing I thank my parents the most for is teaching me to read and write when I was three. Most people don't have a written record of their thoughts when they were that young. I do. It's mostly incomprehensible to other people, and to me as well, a fair amount of the time, and often suggestive that bizarre and unexpected events, furniture, objects, teachers, and family friends played a gigantic part in my life. Rollerskates come up a lot. Two couches come up even more, always on opposite sides of the room. Black cats, mountains, and Christmas trees are next, followed by birds carrying letters in their beaks, angry female babysitters with long braids, and large pianos.

Three is so young it's like reading something written by a complete stranger, one with no linear thought processes. Often, once upon a time there was a little girl who lived inside her house and there was a lion outside her house ends with an ice cream truck encounter and, for good measure, a Christmas tree. (I guess not so much has changed; I still can't write stories that stay on focus beginning to end, but at least I don't... thrust ice cream everywhere, although, as I will soon prove, I do thrust sushi everywhere.)

The first nonfictional somewhat linear journal-like thing I wrote down was around my 5th birthday. Every year for my birthday we'd go get sushi at the same sushi plane we'd been getting sushi from since I was 2. I'll let my 5-year-old self tell it:

Today we went to Kuny's for sushi for my birthday. Kuny is Japanese. He always cuts my sushy into little pieces. When I grow up I want to marry Kuny, and eat sushy every night!

(And there is a drawing of Kuni and me and sushi at the bottom. We both have arms coming out of our heads and legs coming out of our arms. The sushi, however, is drawn very carefully.)

The other day my dad and I went to Kuni's. We arrived as they were just opening. Kuni was standing at the bar without his chef robes or hat on yet. He looked as naked in his T-shirt, to me, as any newborn baby, as he bowed to us and we bowed awkwardly, as always, back at him. My dad always shoots streams of friendly English at Kuni about how awesome his food is, to which he responds in streams of friendly-sounding Japanese and free noodle rolls and extra fatty tuna. He must understand English, as he's been here for at least 20 years, but he never speaks it.

There are two ways I know that he remembers me. One: if I try to order something that's not, technically, on the menu, but that I have been eating since I was a toddler, and the waitress says they don't have it, Kuni shakes his head wildly and waves his arms at her until she writes down my order as I originally said it. Two: he still cuts my sushi into tiny little toddler-sized pieces and serves it to me with a straight face. No matter where I'm sitting at the bar, even if I'm in front of another chef, Kuni prepares my sushi.

Whenever I see the gray hair poking out of Kuni's chef's hat or notice the age spots on his hands, I feel sad in a way that has no explanation, really, and no parallel. I feel the completely irrational feeling that when Kuni dies, I will be significantly more alone in the world. To feel that way about someone you've never spoken a word to is an odd thing. I hate to see him age. He has always looked about 30 to me. He's probably 60. I hope he lives to be 160. I wouldn't want to raise my children in a Chicago where they couldn't get their first taste of solid food in the form of raw yellowtail cut into a baby-sized bite. Would you?